(a) The RGB values must not exceed 255 grey
levels.
(b) If any of the pixels are saturated either:
— Move the radiation sources further away
from the subject
— Stop down the aperture (increase the f- M 66)
stop number) = 11.98
(c) Retake the image until it is not saturated. 121/122
(d) Note that if the lighting conditions or
geometry change, this image should be Figure 2-26
retaken.
16) Note that the image of the uniform reflective board can also be set as the custom white
balance if reguired. Follow the manufacturers instructions for the camera model in use.
17) Otherwise the white balance can be set to a camera standard preset corresponding to
the illumination source being used, (e.g Tungsten). Note that the correct setting here is
not crucial as this can always be modified in post-processing (see Chapter 3).
O btain the infrared-reflected image
18) Set up the image by using either the eyepiece or preferably the live view mode on the
screen if this is available.
19) If using the live view mode, adjust the focus by zooming all the way into the frame. It
may be useful to use an incandescent torch to illuminate the object whilst focussing as
depending on the aperture setting, the image on screen can appear quite dark when the
visible-blocking filter is in front of the lens.
Evaluate the infrared-reflected image
21) Check the framing by looking at the image in playback mode.
22) Check the focus by zooming into the image in playback mode.
23) Check the exposure by ensuring that the white patches on the Spectralon diffuse
reflectance standards are not saturated. If any of these are saturated either:
(a) Move the radiation sources further away from the subject; or
(b) Stop down the aperture (increase the f-stop number).
Retake the image until it is not saturated and if the lighting conditions or geometry have
changed, retake the image of the uniform reflective board under these conditions.
24) Check the tonal range by checking the image histogram in playback mode.
Version No. 1.0 74 Date : 14/10/2013