Stranica 118 [118]
OCR
(f) Click on save (Figure 3-8) and name the xmp file: BM_raw_adjustment.xmp; BM_raw_adjustment_VIS.xmp (for VIS images); BM_raw_adjustment_UVL.xmp (for UVL images). The pre-set raw settings files are now saved for use as in point 3. 5) Click on the link directly below the image (Figure 3-9), which brings up the “Workflow Options” menu shown. (a) Select an output depth of 16 Bits/Channel from the pull-down “Depth” menu. (b) Choose the largest possible image size from the pull-down “Size” menu in order to maximise the level of detail. (c) Click “OK” on the top right hand corner of the pop-up menu (Figure 3-9). [BB He Edt image Layer Select Fiter Analyss 30 View Window Hep | J Py oo ~|WQ 6 | őr By | ESSENTIALS v — 8 x [ah] sae ‘gy Feather: [Opx TT Anti-alas | styles [Norma SJ Wath: [Heights TT | Refine Edge... Can fie 1/45 150200. 50mm O44 = = ides Basic | White Balance: [asshot Sd (2848 by 4256 (12.1 MP) * Temperature [83007 Resolution: [240 [pixelsfnch == Tint fis IT Open in Photoshop as Smart Objects Fra Exposure [ooo Recovery F Fill Light jo Blacks F Brightnes: =i Contrast F Clarity F Vibrance | Saturation j "uti save mane... 1 [ R 8 bit: i | [lopenimace |] cree | Done | szant] 420G0 (O}n... | 4 m... gen... ar] D IR... | VI. | Bvn...| Sie... [i ac. P) Fi. | Search Desktop [08.999 a 17:31 Figure 3-9 Note that the colour space setting can be altered at will but the exact setting is not important as the ICC profile created on converting to the TIFF file will contain the necessary information to convert the data to CIE XYZ colour space (Figure 3-2) whatever the colour space setting chosen here. 6) Save the image as a TIFF file using the “Save image” button in the bottom left corner (Figure 3-10), which brings up the “Save Options” pop-up menu shown. (a) Name the file according to the naming conventions outlined in Chapter 2. (b) Select “TIFF” from pull-down file format menu (Figure 3-10). 110
